The Dec. 13 edition of Greasy Tracks paid tribute to Steve Cropper who recently passed away at the age of 84.
If you missed it, here’s the archive, while a playlist is here.
Known as one of the architects of the Memphis Sound at Satellite and later, Stax Records, Cropper was part of such legendary bands as the Mar-Keys, Booker T and the MGs and the Blues Brothers. His writing and production credits are too numerous to list, but suffice to say, he had a hand in some of the most famous songs ever recorded.
In addition to music from across his storied career, we went to the interview archives and revisited some of Cropper’s appearances on Greasy Tracks over the years.
Considered one of the most important guitarists in history, Cropper’s inimitable sound was a key component to legendary recordings by Otis Redding, Sam & Dave, William Bell, Eddie Floyd, Wilson Pickett and Rufus and Carla Thomas to name but a few.
As 2025 draws to a close, it’s time for holidays, family gatherings, pulling out the winter clothes, gift shopping and of course, the inevitable onslaught of “best of” lists.
Never one to back down from a challenge, we bring you the WRTC Top 100 rock albums for 2025!
The most-played new rock releases on the WRTC airwaves between Dec. 1, 2024 and Nov. 30, 2025. The list is based on “spins” as reported to Spinitron.
Those of you expecting Taylor Swift will be disappointed as British progressive rocker Steven Wilson and American swamp rockers Little Feat easily conquer the top two spots with brand new albums that were popular with many of WRTC’s rock DJs. Relative newcomers Fantastic Cat finished third.
Among the others in the Top 10 are perennial favorites such as Suzanne Vega, Bruce Springsteen and Hawkwind as well as younger, up-and-coming act Goose.
See the full list below and be sure to tune in to The Devo Rock Show on Dec. 29 as he and his guest, DJ Rob of Crashing the Ether, countdown highlights from the list. The program airs 9 a.m.-noon. Click here to listen live.
THE LIST
Steven Wilson — The Overview
Little Feat — Strike Up The Band
Fantastic Cat — Now That’s What I Call Now That’s What I Call Fantastic Cats
Low Cut Connie — Connie Live
Hawkwind — Live At The Royal Albert Hall
The Ed Palermo Big Band — Prog vs. Fusion – A War of the Ages
Goose — Everything Must Go
Bruce Springsteen — Land Of Hope & Dreams
The Black Keys — No Rain, No Flowers
Suzanne Vega — Flying with Angel
Role Model — Kansas Anymore
Brian Dunne — Clams Casino
The Cure — Songs Of A Lost World
The Who — Live At The Oval 1971
John Hammond — Bear’s Sonic Journals: You’re Doin’ Fine
The Jellybricks — Dreaming In Stereo
The Moons Of Jupiter — The Moons of Jupiter
My Morning Jacket — is
Sloan — Based on the Best Seller
Olivia Dean — The Art of Loving
The 860 — The Water’s Fine
20/20 — Back To California
Roger Waters — This Is Not A Drill: Live From Prague
Tears For Fears — Songs For A Nervous Planet
Los Straitjackets — Somos Los Straitjackets
Dennis Weise — Arcane Dream
Sparks — MAD!
Tate McRae — So Close To What
David Bowie — I Can’t Give Everything Away (2002-2016)
The Who — Who Are You (Super Deluxe Edition)
Elton John & Brandi Carlisle — Who Believes In Angels?
Goose — Chain Yer Dragon
Pink Floyd — Live at Pompeii: MCMLXXII
Wet Leg — Moisturizer
Crowded House — Gravity Stairs
Kathleen Edwards — Billionaire
Buckingham Nicks — Buckingham Nicks
Sarah and the Sundays — Like A Damn Dog
Tommy Keene — Performance: Rockin’ The IOTA (Live)
Simple Minds — Live in the City of Diamonds
Jimmy Page/Black Crows — Live at the Greek
Ravyn Lenae — Bird’s Eye
The Mommyheads — One Eyed Band
Tony Levin — Bringing It Down to the Bass
Odin Stone — Dark Times
Sam Fender — People Watching
The Beths — Straight Line Was A Lie
J.D. Simo & Luther Dickinson — Do The Rump!
The Rolling Stones — Black And Blue (Super Deluxe)
Chris Trapper — Watching Sparks Fly By
Joe Bonamassa — Breakthrough
Kevin Atwater — Achilles
Lettuce — Lettuce with the Colorado Symphony (Live)
The Doobie Brothers — Walk This Road
Slash — Orgy of the Damned
Mik Miz — Sometimes By Surprise
The Wood Brothers — Puff of Smoke
Jeff Tweedy — Twilight Override
Samantha Fish — Paper Doll
Kelley Stoltz — La Fleur
Love Fiend — Handle With Care
The Beatles — Anthology 4
Amöniacö — Live at Unisono Buenos Aires
Hawkwind — There Is No Space For Us
Jethro Tull — Curious Ruminant
Molly Tuttle — So Long Little Miss Sunshine
Mumford & Sons — Rushmere
Neil Young and the Chrome Hearts — Talkin to the Trees
The Brobecks — Happiest Nuclear Winter
The Chesterfield Kings – We’re Still All The Same
Clairo — Charm
Bruce Springsteen — Tracks II: The Lost Albums
Carbon Leaf — Time is the Playground
David Byrne — Who Is The Sky?
Erykah Badu — Next To You
Grey Gallows — ΣΑΝ ΤΗ ΝΥΧΤΑ (San ti nychta)
Guided By Voices — Universe Room
Larkin Poe — Bloom
Lucy Dacus — Forever Is A Feeling
MJ Lenderman — Manning Fireworks
Peach Pit — Did You Love Somebody
The Goo Goo Dolls — Summer Anthem
The Heavy Heavy — Live
Eddie 9V — Saratoga
Alice Cooper — The Revenge Of Alice Cooper
Waxahatchee — Tigers Blood
The Nines — Echoes of Past Future
The Len Price 3 — Misty Medway Magick
Bon Iver — SABLE, fABLE
Dire Straits — Brothers In Arms (40th Anniversary)
Djo — The Crux
Dropkick Murphys — For The People
Dua Lipa — Radical Optimism
Genesis — The Lamb Lies Down On Broadway (2025 Mix)
Ivy — Traces of You
Magdalena Bay — Imaginal Disk
Malcolm Todd — Malcolm Todd
Remi Wolf — Big Ideas
The Chills — Spring Board: The Early Unrecorded Songs
Trent Reznor and Atticus Ross — Challengers (Original Score)
Strictly Roots celebrated the career of Jimmy Cliff on Dec. 7. The reggae legend passed away Nov. 24 at the age of 81.
The Jamaican ska, rocksteady, reggae and soul singer was a versatile writer and one of his nation’s most celebrated musicians. He was credited with helping to popularize reggae music internationally.
At the time of his death, Cliff was the only reggae musician to hold the Order of Merit — the highest honor granted by the Jamaican government for achievements in the arts and sciences. He was also nominated seven times for the Grammy Awards, winning twice.
In 1972, Cliff starred in groundbreaking “The Harder They Come” — the first major commercial film from Jamaica. The soundtrack helped introduce reggae to the world.
He was known for such tracks as “Many Rivers to Cross,” “If I Follow My Mind,” “You Can Get It If You Really Want,” “The Harder They Come” and “Reggae Night.” His covers of Cat Stevens’s “Wild World,” Johnny Nash’s “I Can See Clearly Now” — from the “Cool Runnings” soundtrack — and the Elton John/Tim Rice-penned “Hakuna Matata” which appeared on the “Lion King” soundtrack drew acclaim.
Cliff was inducted into the Rock and Roll Hall of Fame in 2010. He is one of a handful of Jamaicans in the hall, including Bob Marley (1994) while Thom Bell and Sandra “Peppa” Denton who were inducted this year.
The Nov. 15 edition of Greasy Tracks featured an interview with Mike Miz who discussed his recently-released Sometimes By Surprise as well as a tribute to Donna Jean Godchaux-MacKay.
Now fully part of the Nashville scene, Miz, not to be confused with the wrestler, has made a gem of an album, his third, much of it co-written with modern day outlaw country troubadour Boo Ray.
We celebrated the career of Donna Jean who recently passed away at 78. Best-known for her association with the Grateful Dead, she was first and foremost an in-demand studio singer. We focused on some of her session work, some obligatory tracks with the Jerry Garcia Band as well as post-GD projects including The Heart of Gold Band, The Ghosts and solo work.
Drummer Greg Anton and guitarist Steve Kimock are interviewed and share insights on Donna Jean who first worked with the duo in 1979 after she and keyboardist then-husband Keith Godchaux had left the Grateful Dead. They would record as The Ghosts and the short-lived Heart of Gold Band.
Anton and Kimock would go on to form Zero in 1980.
Peter Niedmann is perhaps best known as a mild-mannered organist and director of music at Church of Christ, Congregational in Newington, but the veteran composer/organist/pianist has a diverse musical background — and unknown to many people — a keen interest in progressive rock.
The unique style emerged in the late 1960s, blending rock with classical, jazz and experimental elements. King Crimson, Yes, The Moody Blues, Genesis, Jethro Tull, Emerson, Lake & Palmer and Pink Floyd were some who pioneered complex song structures, concept albums and virtuosic musicianship. By the mid-1970s, prog rock had peaked, but its influence continues to this day.
On Nov. 14, Niedmann will celebrate three vital keyboardists who, along with their respective bands, are synonymous with prog — Tony Banks (Genesis), Rick Wakeman (Yes) and Keith Emerson (ELP) — as he presents Prog Rock Piano! The one-man show, which is free and open to the public, takes place at Church of Christ, Congregational, 1075 Main St., in Newington. Showtime is 7:30 p.m.
The Nov. 8 edition of Greasy Tracks was laden with prog music and includes an interview with Niedmann who shared insight on the trio of keyboardists he’ll be featuring in his show where he’ll perform on a Yamaha C6 grand piano, accompanied by stage lighting, video and more to create a rock concert experience.
Princess or prince costumes were suggested attire for the Oct. 31 edition of Friday Class as it featured Prof. Lay talking fairy tales with author Liz Gotauco.
Best known as The Cosbrarian, Gotauco rose to fame on Tiktok during the pandemic with her series F*cked Up Fairy Tales. In her offline life, she works as a children’s librarian in Rhode Island.
Online, it’s another story as she entertains thousands of fans with her characteristic charm and very cheeky sense of humor. She doesn’t just tell the stories, she makes them come alive because she’s a multifaceted woman, just like all the characters she plays.
Gotauco has a strong background in theater and arts, so it’s no surprise how she can put a spell on young and old with her stories. She’ll share with Prof. Lay’s class her experiences in as a librarian, her favorite stories and the process to create her videos.
The annual WRTC fundraising marathon concluded Oct. 24.
On behalf of the staff and management, we thank all of our generous listeners who pledged to support the station.
As the non-commercial radio station of Trinity College, we offer a diverse schedule of 60-plus programs on a weekly basis. Aside from two part-time employees, we’re an all-volunteer organization.
Much of our financial assistance comes from our loyal listeners and we rely on your backing to keep us on the air doing what we do best.
Those who pledged will receive a pledge/payment form in the mail. Just follow the simple instructions and return it to: WRTC Marathon, 300 Summit St., Hartford, CT 06106.
You can also still donate securely online, just click here.
Featured artists included, Joe Bataan, Ray Barretto, Cannibal & The Headhunters, Joe Cuba, El Chicano, Malo, the Premiers, Mongo Santamaria, Thee Midniters, War and others.
An interview with Greg Anton — a veteran drummer, composer, author and lawyer whose career bridges music and literature — was featured on the Sept. 20 edition of Greasy Tracks.
Best known as co-founder of the Bay Area band Zero with guitarist Steve Kimock, Anton’s drumming anchored the group’s improvisational blend of rock, jazz and psychedelia, making them a fixture of the jam-band scene.
Despite being a work of fiction — Anton brings his experiences in music, from writing and playing to the oft-tricky and complex inner band workings — the book reads like a real-life account of the cut-throat side of the music industry, especially when it comes to publishing.
A Hunter S. Thompson quote at the start of the book could serve as a cautionary indicator of the drama that will unfold throughout the ensuing pages: “The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free and good men die like dogs. There’s also a negative side.”
The latest saga is a follow-up to his debut foray into authorship, Face The Music in 2014. Anton says he’s already working on a continuation of the tale.
In Time & Multitalented: Long-time Bay Area drummer Greg Anton recently had his second novel published, but is also a practicing attorney. (Bob Minkin photo)
Anton was a long-time collaborator with Grateful Dead lyricist Robert Hunter who co-wrote many of the 50-plus songs Anton has published.
Hunter once said of Anton as a writer: “Greg exposes the insularity of the pop-music business with stunning veracity. It’s an insider’s look at its highs, lows, and a whiff of the steaming guts, delivered with style and verve. . . not incidentally featuring an unforgettable leading lady. Good sh*t!”
A native of Hartford, Anton is now based in Sonoma County, Calif., where he’s been a practicing attorney for many decades. He’s long championed medical marijuana rights and in 2015 he achieved a landmark federal court decision which allowed medical marijuana to be distributed in California free of federal interference.
The paths of Anton and Kimock first crossed when they connected with keyboardist Keith Godchaux and his vocalist wife, Donna Jean Godchaux, following their exit from the Grateful Dead in 1978. Initially calling their new band Ghosts, they became the Heart of Gold Band, but only played one gig before Keith Godchaux died in an auto accident. It would only be a matter of time before Anton and Kimock formed Zero.
An interview with Boston rocker Tad Overbaugh was featured on the Sept. 15 edition of The Devo Rock Show.
Musician Tad Overbaugh photographed by Tim Gray www.timgray.com
Tracks from Overbaugh’s latest release, Farther From Near (Rum Bar Records) as well as material from his previous band, The Kickbacks were spotlighted.
A native of Swampscott, Mass., Overbaugh got his start in the late 1990s with The Kickbacks, a Boston-based country rock band. They released five records between 1997-2008.
In 2008, Overbaugh opted to go solo and formed Late Arrivals, featuring Kickbacks’ bassist Matthew Arnold and drummer Jon Burton.
On his latest release — the second on Rum Bar Records along with two EPs — Overbaugh is joined by David Minehan (The Neighborhoods, Paul Westerburg, The Replacements) and former Kickbacks guitarist Shawn Byrne. The record features a mix of country rock songs about the ups and downs of love.
Overbaugh and Minehan co-produced the album, which was recorded at Minehan’s studio, Woolly Mammoth Sound, in Waltham, Mass.